Sunday, April 8, 2018
Cluster Critiques
Leonardo da Vinci by Walter Isaacson
If Leonardo da Vinci had been a baby-boomer, he would have been picked “most popular,” “most handsome,” and “best dressed” in high school, then showed up at his 25thclass reunion dressed in a purple suit with his young, beautiful, blond wife named James.
Leonardo’s long-time apprentice and boyfriend’s name was actually Giacomo, which roughly translates from Italian as James, but that doesn't really matter. What is important about Leonardo de Vince (the man, not the book) is that he was uncompromising, and he bridged art and science, much like another Italian polymath with whom I'm infatuated, Galileo Galilei, who brilliantly, and at great risk, managed to span science and religion.
What is important, about Leonardo de Vinci (the book) is that Walter Isaacson, a lauded documentarian of hyper-visionary super men like Benjamin Franklin, Albert Einstein and Steve Jobs, twines vague marginalia, scattered references and exquisite drawings into a page-flipping story about an irresistibly cool guy.
For example, Leonardo was worshipped as an artist, but he rarely if ever completed a commissioned piece of art. He worked on the Mona Lisa for 16 years and never considered it finished. Also, he was a master at drawing and painting the human anatomy because he dissected humans (sometimes even when they still alive) to study muscles, inside out and moving. And despite all this, he somehow managed to live a relatively luxurious, unimpeded lifestyle, whiling away his hours (even years) simply observing and wondering about things like the flow of water and clouds.
I had to tamp down my jealousy of de Vinci’s capacity to live life on his own terms, but it didn’t diminish my enjoyment of this book. Even my hubby, who tilts more towards Stephen King and Michael Connelly, loved Leonardo de Vinci, and I believe you will too.
The Moleskin Mystery by Anonymous (Turk Pipkin)
A writer, an actor, a juggler and a philanthropist walk into a bar. His name is Turk Pipkin.
It seems talented people possess or have a special capacity to build multiple talents and skills, while the rest of us struggle to simply survive. Turk Pipkin the not so anonymous author of The Moleskin Mystery is one of those people, but this isn’t about Turk, so I’ll move on.
The story begins when a guy walks into a New Orleans bar the time of day when only a few lost souls and vampires perch. As he climbs onto a bar stool, so obviously weighed down by some melancholia yet undisclosed, he is beckoned by a mysterious pocket-size, mole-skin-covered journal sitting in front of him on the bar. As if by destiny, he picks up the journal and begins adding his chapters of lost love and self-discovery.
What starts out as obtuse yet clever Kerouac/Burroughs-ish navel-gazing soon takes shape as a nourishing story set in romantic, steamy New Orleans. What’s the mystery? The characters are. The finder of the journal is a mystery. Who is he? Where’d he come from? His love interest, Emilia, is a mystery. Who is she really? What happens to her? And what about Marvin, the oracular seer who speaks in riddles and seems to live in the bar where "nobody knows your name"?
Of course good writing is important, but for me, enjoyable literature is even more so about complex characters I can have feelings for – love hate, sympathy, empathy, curiosity, whatever. Otherwise they are just an irritating distraction. In Moleskin, it isn't the quantity of what Pipkin tells us about the characters - that's the mystery element of his book. It is the quality of what he tells us that makes The Moleskin Mystery part fairy-tale, part fable, and 100% charming.
Red Notice: A True Story by Bill Browder
Eventually tiring of college binge-drinking and womanizing, the rebellious main character of Red Notice decides to drive a stake into the heart of his communist-leaning family tree by getting an MBA from Stamford and becoming a ruthless capitalist, in Russia, which had only recently realigned from a communist dictatorship to a capitalist order! Ha! That’ll show ‘em!
With a keen eye for opportunity, a mathematician’s mind and more than a little luck, our protagonist quickly rises to the top of the financial world in a sequence of Russian investment scenarios so exciting and intriguing, and which afforded him a lifestyle so enviable, I couldn’t wait to get to the next chapter! But the powerful Russian oligarchy - the Mafioso-like families who took over most of the businesses previously run by the Russian state - didn’t like the idea of someone other than them, especially an American, making millions of dollars off the growing pains of their country’s privatization transition.
Being the rebel he is, however, instead of taking the hint that he’s not wanted in Russia, our American rebel sticks out his chin, eventually losing everything when he denied reentry into Russia and his assets are seized, his lawyer is taken prisoner, tortured and killed in a new Russian Gulag, all his Russian allies end up similarly suspiciously dead, and his and his family’s lives are threatened. But our rebel doesn’t give in, he continues his fight in America, and although it takes years and a relentless campaign, he ends up convincing US Congress to pass a law imposing sanctions against Russia.
Did you happen to notice the "A True Story" in the book title? Yep, author Bill Browder is the rebel and protagonist of this book.
Red Notice had me from beginning to end, but for reasons I probably don’t want to acknowledge, when Bill Browder went from brilliantly conniving to capitalize on investment opportunities in Russia, to avenging his lawyers murder, his story started to feel more along the line of his rebellion against his family (I’ll show you) than about altruism. Although some will disagree, I was never convinced that he cared about the people who died trying to defend him. It just felt like revenge, and that made the final 1/3 of the book seem less authentic.
Read it? Sure. It’s an intriguing glimpse into the mechanics of a country’s infrastructure transition from communist to capitalist Russia, and a glimpse into predatory capitalism that knows allegiance to no country.
100 Things I Want to Tell My Children and Grandchildren, #28
Don’t take pictures or videos of yourself or anyone else naked, and if you do, make sure you’re the only person who has copies, and then burn them.
OK, I know this is a weird and possibly questionable lesson, but kids are going to explore their sexuality and being in denial doesn’t change that. My kids, assuming they even read my blog, are probably thinking, “Mom, I’m forty-something years old. I don’t even like pictures of myself in a bathing suit.” And most of my grandkids, assuming they read my blog – or might read it someday, are probably thinking, “Ewwweeeeww!”) But, the day will come when they will be tempted, as taking nude photos or videos of yourself having sex are almost a universal rite of passage.
Here are the reasons why you want to be smart enough not to fall into that trap:
- You’re not going to look as good nude as you think. It is better to live in the delusion that you look better than you do.
- The relationship associated with the photos/video may not last. Most people go through several relationships and even marriages, and you can’t know for sure you’ll end up spending your entire life with your partner in the photos/video (although in the euphoria of love or lust you’ll probably find this impossible to believe).
- If you ever decide to become an actor/celebrity, politician or Dallas cowboy cheerleader, those pictures/video will threateningly surface.
So, if you decide you just must take nude photos or a sexual video, just do yourself one huge, smart favor. Look at them then burn them.
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